“In an old English book, written before Columbus dreamed of a westward journey to find the East, is the story of a traveller who set out to search the world for wisdom. Through Palestine and India he passed, traveling by sea or land through many seasons, until he came to a wonderful island where he saw a man ploughing in the fields. And the wonder was, that the man was calling familiar words to his oxen, “such wordes as men speken to bestes in his owne lond.” Startled by the sound of his mother tongue he turned back on his course “in gret mervayle, for he knewe not how it myghte be.” But if he had passed on a little, says the old record, “he would have founden his contree and his owne knouleche..”
William Joseph Long was an American writer, naturalist and minister. He lived and worked in Stamford, Connecticut.
As a naturalist, he would leave Stamford every March, often with his two daughters Lois and Cesca, to travel to ‘the wilderness’ of Maine. William Long believed that the best way to experience the wild was to plant yourself and sit for hours on end to let the wild creatures “come to you; and they will!”
They would stay in the wilderness until the first snows of October, although sometimes he would stay all winter. In the 1920s, he began spending his summers in Nova Scotia, claiming “the wilderness is getting too crowded”.
He shared many of the same ideas of ‘wilderness America’ conserving and revitalizing the human spirit, as John Burroughs, Ralph Waldo Emerson, Walt Whitman, and Henry David Thoreau, although as independent minded men, they were somewhat critical of each other.
He wrote of these wilderness experiences in the books Ways of Wood Folk (1899), Wilderness Ways (1900), Wood Folk at School (1903), Northern Trails (1905), Wood-folk Comedies (1920), and many others. His style was homely, individualistic, and compassionate, but perhaps lacking realism. Many of his early books were issued in school editions under the title of The Wood Folk Series.
He had a keen interest in the development of English and American Literature. Outlines of English and American Literature : An Introduction.. published in 1909, is written in such a charming style, I will devote the following Post to present its introductory material. It is freely available on the Internet.
Because of the increased interest in the natural world as a reaction to industrialization and urban life, many of his books were studied in the schools of the time. However,John Burroughs, adviser to President Roosevelt, accused William Long of gross exaggeration, if not outright lies, regarding his books and the reflections of nature therein. In March 1903, Burroughs published an article entitled “Real and Sham Natural History” in the Atlantic Monthly.
http://www.mercola.com/ is my natural health website of choice. It contains a lot of relevant information for concerned British readers. This guest Post summarizes many of my concerns. I will try to address them personally in greater detail in the future..
Dr. Mercola is the founder of the world’s most visited natural health web site,www.Mercola.com. You can learn the hazardous side effects of ‘over the counter’ remedies by getting a FREE copy of his latest special report The Dangers of Over the Counter Remediesby going to his Report Page.
1: Vaccines are Safe, Effective and Prevent Disease
I completely understand that for many this issue is not debatable as they believe that vaccines are one of the greatest gifts to public health in the history of civilization.
If you believe that, then let me encourage you to open your mind and explore other views held by many well respected physicians, scientists, clinicians and pro-vaccine safety educators.
When it comes to vaccines, there are three primary questions that need to be considered.
First, is the vaccine in question safe?
Secondly, does it effectively prevent disease?
And third, which vaccines can safely and effectively be given together or in close succession?
Unfortunately, these issues have not been sufficiently studied for most vaccines, and those vaccines that have been studied frequently show that they are either unsafe or ineffective, or both!
The issue of copyright is a minefield for the average person. Copyright has to strike a delicate balance between protecting the creators of music, words or photographs and the presentation of such material to a wider public.
On the one hand, it is only fair that the creators get paid for what they create. On the other, if copyright protection is too tight, then distribution of material becomes too restricted.
If Shakespeare was still in copyright less of his work would be seen. The same principle may help explain the appeal of the ‘classics’ in all artistic fields with producers. Could this weigh against new artists?
The concept of intellectual property was based around the distinction between mechanical invention, and literary or cultural creation.
That idea is now less appropriate to the ways in which creativity is carried out – software development, biotechnology and gene science all blur the boundaries between the mechanical and the intellectual. The advent of the internet has changed the way copyright works.
Going into a shop and stealing a CD is theft, and yet using new technology, down-loading tracks from the internet seems quite different.
Proposals to disconnect so-called peer to peer file-sharers have caused concern among internet campaigners. This is when people who know nothing of each other beyond a username, share music or films even though only one of them has bought the original. One thing is clear, and that is that a short-term fix on these copyright issues is not helpful or appropriate.
This attitude, that if it is available to download from the web then it is free, is even more pronounced with photographic images. When pictures were printed on paper it was easy to control, but new technology makes those old laws out-dated or at least difficult to enforce.
Stuart Franklin took the famous picture of the protester standing in front of the tank at Tiananmen Square – an image that has appeared on countless T-shirts around the world.
“We licensed my photographs to go on posters and T-shirts through business associates, the photograph itself is almost in the public domain, but if people want to use it to make a profit, such as a magazine or newspaper, then they have to pay, we have no problem at all with dissemination and actively encourage students and young people to engage with the photography. What we don’t encourage is pilfering for profit of our work,” he said..
A French literary masterpiece, Jean de Florette, along with the sequel Manon des Sources creates a single unbroken narrative. It is a two-part epic tale which spans three generations, building to an inevitable, yet completely unexpected conclusion.
In the first part, Jean Cadoret (Gerard Depardieu), a former tax collector, moves his family to the country to create a pastoral idyll in a rural Provencal village. From the neighbouring farm, Cesar Soubeyran (Le Papet), and his only remaining relative, nephew Ugolin, cast their covetous eyes on the adjoining property. They need its spring water to grow their own carnations and vegetables, and so are dismayed to hear that a new owner from away has moved in. Conspiring against the stranger, imagining themselves somehow justified as locals, they mischievously block up the spring, and watch as Jean desperately tries to keep his crops, his means of living, watered throughout the long, hot summer from a source miles away across the rugged terrain. Le Papet does not allow for Jean’s tenacity. Though they see his back-breaking efforts are ruining his health, and breaking his wife and daughter’s hearts, they turn a blind eye as events reach a tragic conclusion.
The story is a timeless one, a compelling triumph for justice and good, and reflects the revenge themes of the Viking sagas, or a Biblical parable unfolding, or perhaps the poetic justice of Greek tragedy, and it is satisfying to see the outcome, the inevitable futility of the Soubeyran’s scheming. It was heart-warming too; that by the end, you could feel for Le Papet, and even Ugolin, for how many times have any of us begun an unwise course we cannot reverse?
Healthcare professionals are understandably concerned that people, especially people with serious health problems, take medication appropriately, as prescribed by their doctor. The reasons they often do not are explored here, and may differ from some commonly held ideas. The causes of non-compliance are seldom immediately clear, and individual reasons for stopping medication can appear arbitrary, “I couldn’t get to the chemist”.. If I focus here on individuals with mental health problems, it is because compliance with medication is a comparatively larger problem in this group, but certainly not exclusively so.
Many writers have highlighted the importance of terminology in healthcare, and suggest that the use of words like “compliance” infer that patients should be passive recipients, and should obey professionals. It has recently been proposed that “concordance” should replace the words “compliance” and “adherence”.
Concordance emphasizes patient rights, and the importance of two-way decision making. More controversially, it also reminds us patients have the right to make choices such as stopping medication, even if doctors do not approve of the decision.
How a person thinks an illness will affect him is determined by his previous knowledge or experience, as well as fear of the outcome.
The law imposes a duty of care on those that administer medication to others, for example, on a hospital ward. Administration of medication is not without its complications. Minor prescribing errors, allergies, adverse drug reactions, interactions with food, or herbal products, overdoses, and even possible irreversible health problems or death, must all be considered. No one should take medication that is normally only available on a doctor’s prescription without this essential professional help.
There is however, still widespread concern in the UK over the administration of non-prescribed medicine and the practice of covert administration in the non-compliant.
The law is clear that covert administration is only justifiable in cases of incapacity. Incapacity occurs where the patient is unable to comprehend and retain information material to the decision, or the patient is unable to weigh up the information as part of the process of an informed decision..
A Fleet Street reporter, H. V. Morton (1892-1979) fought in the First World War and was in Egypt in 1922 at the opening of Tutankhamun’s tomb. One of the century’s most popular travel writers, he wrote books about Spain, Italy and the Middle East as well as the famous ‘In search of..’ series on the British Isles.
Something to remember about Morton’s book on Ireland is its historical perspective. In Search of Ireland was first published in 1930, which was a few years after Ireland had become a Free State in 1922. Morton is seeing Ireland in the early stages of independence separated from Britain. He warns the English in his introduction, “We must forget the hosts of prejudiced ideas about her which have accumulated during centuries of strife and misunderstanding…I must stress the point that the new generation of travellers must approach Ireland with the feeling that it is a foreign country.” I could not help but reflect on the history he refers to, when England was so often the aggressor, and Ireland the betrayed. Sometimes it seems he relates the events connected with a place without examining the underlying issues, he observes the empty cottages with hardly a mention of the famine or the forced evictions, or that emigration was so often not a choice, but a matter of survival. Nonetheless, Morton’s humorous and insightful observations about Ireland, as a traveller in a foreign land, are worth reading and re-reading.
“Dublin in the early morning, with the sun shining, is a city the colour of claret. The red-brick Georgian mansions, with fine doors, fanlights, and little iron balconies at the first-floor windows, stand back in well-bred reticence against wide roads, quiet and dignified, as if the family has just left by stagecoach.” Prose of this quality is what raises travel writing to literature, and Morton’s skill as an evocative writer is worthy of the best of his era. In explaining about the Book of Kells, which is kept in Trinity College, Dublin, he says that during the three darkest centuries of English history it was Ireland that was saving Greek and Latin for Europe..
Robert Louis Stevenson was born on November 13, 1850, in Edinburgh, Scotland. His mother, Margaret Balfour Stevenson, was a minister’s daughter, and his father, Thomas Stevenson, was a civil engineer, and with his grandfather, a famed lighthouse builder.
Stevenson was a sickly child, born with a lung disorder, and spent much time in his bedroom drawing or painting, playing with toys, and making up wonderful stories of faraway lands and exciting adventures. He always yearned to go that “somewhere of the imagination where all the troubles are supposed to end”. His formal education started at the age of seven, but his studies were undertaken with great irregularity. What he loved most about school were the magazines he initiated: miscellaneous collections of ‘fact, fiction and fun’, titled Sunbeam Magazine and The Schoolboy Magazine. At his father’s insistence, he entered Edinburgh University to study Engineering. He then went on to study Law, although he was much more interested in Literature and writing.
In 1878, his first book, An Inland Voyage, was published, closely followed by Travels with a Donkey in the Cevennes (1879). This was a fascinating account of a romantic hike through the forests and hills of central France, with unforgettable scenes of Stevenson sleeping under the stars, with the strong-willed Modestine tethered by his side. His love of the people he encountered shines throughout. With such a strong visual sense, it is hardly surprising that Stevenson’s stories remain ever popular with successive generations of readers.
”Revolutions have never lightened the burden of tyranny; they have only shifted it to another shoulder” (George Bernard Shaw, 1903)
This is a very useful 310 page study by political commentator Maurice Latey for those interested in the factors that breed tyranny. He is particularly concerned with the psychological factors, what motivates these men to behave in the way they do. Although of necessity taking a broad historical approach, he concentrates on the twentieth century after World War One, arguably an ‘age of tyranny’, with Lenin, Mussolini, Hitler, Stalin and Mao Tse Tung foremost amongst others.
In ancient Greece, a tyrant was a ruler who seized power unconstitutionally or inherited such power. In the 10th and 9th centuries BC, monarchy had been the usual form of government in the Greek states; the aristocratic regimes that had replaced monarchy were by the 7th century BC themselves unpopular. Thus the opportunity arose for ambitious men to seize power in the name of the oppressed. Tyrants eventually came to be considered oppressive. Latey’s more refined definition of a tyrant is ‘a ruler who exercises arbitrary power beyond the scope permitted by the laws, customs and standards of his time and society, and who does so with a view to maintaining or increasing that power’.
He examines the tyrants of Greece and Rome, and the authors of that era. Aristotle said that tyranny aims at three things- firstly to keep the subjects in humility, secondly to have them distrust each other, and thirdly to render them powerless for opposition. These principle features of a tyrant can be discerned in the many historical examples, but also, underscoring their validity, in the leadership struggles of today, in settings as diverse as party politics, the church, the office and the company boardroom..
The Grand Design published on September 9th 2010, these are some pre-launch comments.
Tap ‘Grand Design’ into Amazon currently, and it will show you books and DVD’s associated with the TV series. Tell any of the architects or designers that feature on that programme that their efforts in renovating or creating new buildings were a product of chance, or ‘self- creation’ and they might rightly feel insulted. They might also feel their intelligence had been insulted too. My point is the same as that of the apostle Paul, ‘Of course, every house is constructed by someone, but he that constructed all things is God’ (Heb.3:4). The Athenians of the time held diverse views, only one of which was that the Creator was unknown, or unknowable (Acts 17: 23).
Professor Stephen Hawking has claimed that no divine force was needed to explain why the Universe was formed. InA Brief History of Time , he differentiated between partial theories that help explain aspects of what we observe about the Universe, and the ‘holy grail’ of science, a single theory that explains all phenomena, or if you like, a ‘Theory of Everything’. He appears as far from this goal as ever.
The sub-title, ‘New answers to the ultimate questions of life’, inevitably reminded me of the scene in The Hitchhiker’s Guide to the Galaxy, when the central characters meet Slartibartfast, a planetary coastline designer who was responsible for the fjords of Norway. He relates the story of how a super-race built a computer named Deep Thought in order to calculate ‘The Answer to the Ultimate Question of Life, the Universe, and Everything’. When the answer was revealed to be 42, Deep Thought predicted that another computer, more powerful than itself, would be necessary in order to calculate the question for the answer.
In his latest book,The Grand Design, an extract of which was published in Eureka magazine in The Times , Professor Hawking said: “Because there is a law such as gravity, the Universe can and will create itself from nothing. Spontaneous creation is the reason there is something rather than nothing, why the Universe exists, why we exist.” He added: “It is not necessary to invoke God to light the blue touch paper and set the Universe going.” He concludes: ‘The Big Bang was the result of the inevitable laws of physics and did not need God to spark the creation of the Universe’..